Gerald Garcia (b. 1949)
Etudes Esquisses
Celtic Airs is a
reworking and amplification of guitar and flute duets which I made in 1978. The
music comes from two main sources -Rune of the Weaver, Cuan ag Eirigh
and Heman Dubh are tunes from the Outer Hebrides, which I
have visited many times, and the arrangements attempt to conjure up the world
of wind and waves which make up most of the Hebridean experience. The remaining
pieces are Irish and are influenced by the sound of the Celtic harp and fond
memories of musical sessions in pubs in Oxford and Dublin..
The Etudes
Esquisses began life as studies for the intermediate guitarist, but as more
of them came into being (at the rate of one a day) I realised that this was an
opportunity to learn about guitar composition and sonority in a concise
context. The title of the collection - Esquisses - can mean sketches,
which indicates my original attitude to them. The titles of the original
pieces, which were added afterwards are mainly whimsical, being multilingual puns,
but they also often indicate the in original inspiration for the composition.
For instance: Les Ajoncs d'Or (Golden Gorse) was written in Normandy
during a particularly warm spring, when the gorse was in full flower in a river
valley called Les Ajoncs d'Or; Le Grand Brasseur (The Great Brewer)
is a homage to the composer Leo Brouwer; I'Hommage d'un Hommage (Homage
of a homage) is a reference to Le Tombeau de Debussy, the only guitar
composition of Manuel de Falla; Milles Anges (a thousand angel) is a homage
to Astor Piazzolla and refers to his penchant for naming tangos after angels as
well as to the fact that it is a mixture of keys (melange) and amilonga. Other
titles refer to countries e.g. Cafe Venezolano, Terre Noire (South
Africa)
or other compositions - Apres midi d'un Cafard (Afternoon of a
Cockroach), L' Amour Soucoupier (Love the Saucerer). I hope that you
might have a diverting time working out the other titles.
When I heard
that John Holmquist was interested in performing and recording the Esquisses,
I was doubly pleased - first, because he is a dear friend who has known
these pieces from the beginning, and second because he is one of the most
musical guitarists of our day, who puts his considerable technical skill at the
service of a sensitive and penetrating musical imagination. Any composer would
feel safe in his interpretive hands, and I would say that this recording is
about as close as you can get to the original conception of these pieces. As
listener, you complete the trinity of musical experience started by the
composer and performer - enjoy!
@ 1997 Gerald Garcia
Etudes Esquisses is published by ABG
Publications, 16
Parker Street, Oxford UK and Mel Bay Publications,
#4
Industrial Drive, Pacific MO 63069-0066 USA.