ANDRES SEGOVIA: 50s RECORDINGS (Vol. 5 of 6) PRE-BAR0QUE
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From the 1920s onwards Segovia not only enriched the range of the guitar repertoire by transcribing and performing works by great composers of the past, but also persuaded his contemporaries to write new pieces. Volume 5 of Segovia's 1950s American recordings includes music by composers of various nationalities, (Italian, Spanish, Polish, Argentinian, Venezuelan, and Swiss), demonstrating the international appeal of the guitar. The diversity of musical styles featured is considerable, ranging from the folkloric appeal of South America to the more esoteric inwardness of European composers. Of particular interest is Segovia's performance with a string quartet of the great Italian composer, Mario Castelnuovo-Tedesco's 'Capriccio diabolico', one of the most successful examples of the synthesis of plucked and bowed sonorities.
Capriccio diabolico, Op. 85, "Homage to Paganini" (more info)
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Capriccio diabolico, Op. 85, "Homage to Paganini" - 09:06
Greeting Cards, Op. 170: No. 5. Tonadilla on the name of Andres Segovia (more info)
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Greeting Cards, Op. 170: No. 5. Tonadilla on the name of Andres Segovia - 05:12
Guitar Quintet, Op. 143 (more info)
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I. Allegro, vivo e schietto - 05:29
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II. Andante mesto - 06:35
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III. Scherzo: Allegro con spirito, alla marcia - 04:43
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IV. Finale: Allegro con fuoco - 06:01
Sardana chigiana (more info)
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Sardana chigiana - 03:54
Cavatina (more info)
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I. Preludio - 02:59
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II. Sarabande - 03:38
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III. Scherzino - 02:36
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IV. Barcarole - 03:22
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V. Danza Pomposa - 02:29
Zarabanda lejana (more info)
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Zarabanda lejana - 05:02
Nortena (more info)
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Nortena - 03:31
4 Valses Venezolanos: No. 3. Natalia, "Vals criollo" (more info)
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4 Valses Venezolanos: No. 3. Natalia, "Vals criollo" - 02:40
Alba (more info)
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Alba - 04:36
Preludio, "Postlude" (more info)
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Preludio, "Postlude" - 04:36